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Grateful Dead Live at Le Zenith on 1990-10-27

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Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape
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Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at apprx 5-1/2 feet.
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Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > MAC
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Source: Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS.%0DSet Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7
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Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby);
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Source: flac16/48kHz ; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
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Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby
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Source: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > MAC (TDK AD-X normal bias tape, with Dolby on) > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC
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Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape
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Source: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck (Dolby On) > MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC